THE PAYBACK

| James Brown

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THE PAYBACK

The Payback is the 40th studio album by American musician James Brown. The album was released in December 1973, by Polydor Records. It was originally scheduled to become the soundtrack for the blaxploitation film Hell Up in Harlem, but was rejected by the film's producers, who dismissed it as "the same old James Brown stuff." (A widely repeated story including by Brown himself that director Larry Cohen rejected the music as "not funky enough" is denied by Cohen.) It went to #1 on the Soul Albums chart for two weeks and cracked the Pop Albums chart in the Top 40. It was Brown's only studio album to be certified gold. The Payback is considered a high point in Brown's recording career, and is now regarded by critics as a landmark funk album. Its revenge-themed title track, a #1 R&B hit, is one of his most famous songs and an especially prolific source of samples for record producers. Musically the album is largely cyclic grooves and jamming, but it also features departures into a softer soul-based sound on tracks like "Doing the Best I Can" and "Forever Suffering". -WIKIPEDIA

Critic Reviews

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  • ALL MUSIC

    The Payback was one of James Brown's most ambitious albums of the 1970s, and also one of his best.  

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  • UNSUNG

    the groove of The Payback, once-discovered or re-located, is there for us all to use not in a dance setting but as one of the accepted propellants of the modern urban meditation music.  

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  • The Inquisitor

    The Payback is the real deal, one of the strongest albums of James Brown’s career, and his last truly great musical statement before he went into terminal decline. 

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  • sputnik music

    2008 - you can't get stuck listening to the same thing. It makes you a jaded snob after a while. And who knows what you might miss, sometimes there's an album that changes who you are, changes the way you think. To me, this is one of those albums. It is a keystone of funk, and I hope you have as much fun listening to it as I did.  

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  • PULUCHE

    2013 - What’s best about The Payback is Brown’s ability to show dynamics in funk through his exploration of softer, slower, ballad-type songs. 

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  • Wilson & Alroy's Record Reviews

    the syncopations and riffs are mostly routine, and the wah-wah guitar that's used so brilliantly on "Payback" is recycled over and over again. 

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