DIAMONDS AND PEARLS
| PrinceDIAMONDS AND PEARLS
Diamonds and Pearls is the 13th studio album by American recording artist Prince, and the first with his new backing band The New Power Generation. It was released on October 1, 1991, by Paisley Park Records and Warner Bros. Records. The album produced several hit singles, including "Gett Off", "Cream", "Money Don't Matter 2 Night", "Insatiable", and the title track. Dancers Lori Werner (then dancing under the stage name of Lori Elle) and Robia LaMorte, known as "Diamond" and "Pearl" respectively, appeared on the holographic cover (re-pressings of the album are non-holographic). Diamond and Pearl also appeared in the music videos for "Cream", "Strollin'", "Gett Off", and the title track, and also participated in Prince's Diamonds and Pearls Tour. -Wikipedia
Critic Reviews
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                                Pitchfork           
                            Diamonds and Pearls had a clutch of future classics along with some odd experiments.
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                                The Quietus           
                            Diamonds And Pearls has a blend of austere and over-the-top which truly characterises Prince.
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                                Albumism           
                            underneath it all ran the same winning combination of sexed-up funk, breathless balladry and sacred musings
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                                BBC           
                            Marked the vital revival of an artist who continues to fascinate.
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                                Spin           
                            Reinvigorated by a new band and new sound, Prince's brilliant first "official" album of the '90s showcased his renewed focus
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                                Pop Matters           
                            It was one more chance for a habitual reinventor to reinvent himself, and he did so in an odd, beguiling way that has stood the test of time even as he has moved on with his life.
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                                All Music           
                            is a fine record
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                                Rock NYC           
                            It was a job well done, its artistry is in its self-control, the way in which, for once, it was exactly what it was: a funk pop hybrid nobody else did because no one else knew how to do it.
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                                Slant Magazine           
                            an important sign that Prince was willing to embrace contemporary—or close to contemporary—sounds to stay visible, and that he could still write songs worth the attention that got him
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                                Entertainment Weekly           
                            Otherwise, the imp continues spinning his wheels, the hole in the road growing a little deeper with each new record.
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                                The Guardian           
                            The first of many “stunning returns to form”, but worthy of the cliché. Highlights: the thoughtfully mature “Money Don’t Matter 2 Nite” and the hilariously immature “Gett Off”.
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                                Wilson & Alroy's Record Reviews           
                            the tunes are good if predictable
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                                LA Times           
                            At one time, the idea of giving a Prince album just two stars would have been unthinkable. Now, it may even be a bit generous.
 

                        
                        
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